This is the sixth movement of For a Breath of Ectasy and is scored for SATB chorus, oboe, and string quartet or piano. Using a lush accompaniment and homophonic choral writing, the music

In this original choral setting of the spiritual Rockin' Jerusalem, the bells are intended to imitate the sounds of gunshots in a rallying cry for justice. The intensity and depth of this

The text of this powerful choral work is addressed to anyone facing struggles and it presents an honest affirmation that those struggles are real. Rather than deny the existence of problems or pain, the

This setting of one of Petrarch's sonnets alternates homophonic chorale texture with melody and supporting vocal accompaniment. The lyrical quality of the writing lends itself to a beautiful sonic

An ethereal, deeply moving piece about the conscious decision to choose love. This has an ancient-modern feel, made even more prominent with the interplay between the Latin and English text, and chant-like

Fun and energetic, this gospel-style a cappella arrangement of the traditional spiritual is easy to learn and dynamic to perform. There's plenty of repetition and very little divisi, making this

Crossing the Bar, one of Alfred, Lord Tennyson's most famous poems, is set as a journey. This journey begins at sunset in a minor mode and finishes in the relative major after having crossed the

A high-energy treatment of the famous Tennyson poem, this beautiful setting for tenor-bass choirs may be included as a part of a trilogy of Tennyson poems.

This bluesy setting requires three treble soloists with power and confidence. The choral backgrounds are deliberately sparse imitating guitar, light organ, and banjo until a climactic group shout. The music

From Due South, one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. This movement is the short opening of this suite of five

From Due South, one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. This second movement takes its sweet time tantalizing the

From Due South, one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. This movement is a perfectly apt finale to this choral suite

The Christina Rossetti text which beautifully personifies the concept of memory sometimes coming back to you in dreams is paired with a lovely choral texture and a sensitive piano accompaniment that will

This unique setting pairs the iconic Latin text with a new, original English text which responds to the question: Why do we rejoice and shout our praises to God? The music captures the energy, rhythm, and

After a calm start in this fourth movement from For a Breath of Ecstasy, a rhythmic motive begins in the bass clef of the accompaniment and intensifies as the singers enter with the first statement

In this fourth movement from For a Breath of Ecstasy, the instrumental introduction leads to a completely a cappella setting of this Sara Teasdale text. This movement is slow, lyrical and hymn

This final movement from For a Breath of Ecstasy begins rhythmically as the first movement did. In fact, the writing touches on moods and motives in many of the other six movements, although the

This setting of the Mother Goose nursery rhyme is dangerously close to a groovy choral vamp! The scoring is for mixed chorus and jazz trio, but it can certainly be performed with just piano. The

Traditional Latin text is given a fresh, exciting setting in this work for advanced treble choirs. Shimmering a cappella harmonies contrast with rhythmic ostinatos, making this a festive number perfect for

An expressive original text that speaks to the healing presence of hope in our lives. Including a solo in a free, soulful style soaring overhead, the musical setting begins reflectively and then builds to a

This beautiful a cappella arrangement was commissioned by Cantus for their album A Harvest Home. Written as a companion piece to the setting of Simple Gifts, this arrangement sounds traditionally

This work has the ethos of a spiritual, with the text and a few riffs inspired by Amazing Grace. The choir, considering the power of grace in song, affirms that no trouble, no shame, no

This unaccompanied piece contrasts a simple unison motif with quick ostinato in the lower voices. The homophonic refrain clearly declaims, "All forces have been steadily employed to complete

The melody has a simple innocence, but the harmony provides great warmth and subtlety in this touching love song by Clara Schumann arranged for choral ensembles. Set in a modified strophic form, the setting